So, I spent a morning trying out SplitMySong, and from what I can tell – it’s like handing a kid a box of crayons and a blank canvas. You upload a song — say, a punchy rock track — and the AI churns away, splitting it into vocals, drums, bass, guitar, piano, and a “miscellaneous” track for whatever else is in the mix. The process took about two minutes for a four-minute song, and the results? Honestly, pretty darn impressive. The vocals came through crisp, like the singer was right there, though the drums had a slight hum in the background on one track I tried. The mixer interface is a joy, letting you slide faders to boost the bass or mute the vocals entirely, which I did to make a quick karaoke version for fun.

SplitMySong’s strength is how approachable it is. I’m no producer, but the clean layout made me feel like I could remix a track without breaking a sweat. You can tweak tempo or pitch, which I played with to slow down a guitar riff for practice. The tool supports all the usual audio formats — MP3, WAV, FLAC — and spits out high-quality files you can download. I was surprised by how intuitive it felt to adjust the left-right balance, giving the mix a new vibe. Compared to VocalRemover or Moises, it’s less cluttered, though Moises might edge out slightly with its mobile app for on-the-go tweaks.

The downside? The free plan is stingy. You get two songs a day, but only random 15-second snippets unless you buy credits through Patreon. That felt like a buzzkill when I wanted to remix a full track. Also, no mobile app means you’re tethered to a browser, which isn’t ideal if you’re out and about. The AI’s not perfect either — on one dense electronic track, the separation got a bit muddy, with some bleed between instruments. Still, for a quick remix or practice session, it’s a blast.

What caught me off guard was how private it feels. Your files vanish from their servers after a day, which is a nice touch in a world where data sticks around like uninvited guests. The option to pick four or six-track separation models is another gem — six tracks gave me more control over a jazz piece, though four was enough for pop. If you’re curious, upload a short track and play with the mixer. It’s fun, fast, and might just spark your next creative project. Just be ready to invest in credits if you want full songs.